20220930

Aesthetic, nº12: from the Helmut Lang A/W 2022 campaign.

Helmut Lang, Vol. 1: A/W 2022 Collection, photographed by Hugo Comte. New York, 2022.

Photo @helmutlang.

20220914

20210724

Y2K aesthetic.

Cover photographed by Henrik Purienne. Vogue Paris, July 2020.

1.

20210624

Butterfly aesthetic.

Lara Belmont wearing an Emanuel Ungaro Haute Couture butterfly bustier, photographed by Satoshi Saikusa. "La Couture Nature," Vogue Paris, March 2000.

20210607

90s Dolce & Gabbana campaign.

Sherilyn Fenn for Dolce & Gabbana Fall-Winter 1991/92, photographed by Steven Meisel.

20210204

Matching.

Eva Herzigova and Tico Torres, photographed by Peter Lindbergh for Vogue Italia, September 1997.

1.

20210128

"Rigore femminile."

Mathilde Pedersen, photographed by Eamonn J. McCabe for Elle Italia, October 1997.

1.

20201113

Lace.

Linda Evangelista, photographed by Antoine Verglas for Elle France. New York, 1989.

1.

20201021

Kate Moss for Zara Autumn/Winter 2003.

Kate Moss for Zara Autumn/Winter 2003/04. Photographed by Alfonso Ohnur, from Zara Archive Collection 1996/2012.

Zara is launching a re-edition of some pieces from past collections, and when I saw this campaign from Autumn 2003, I was hit with a bit of nostalgia. I was a junior in high school on the Upper East Side, and I remember seeing these ads around the city or in the window of the Zara flagship that was near my school. It was a time when I started to get more "with-it" in terms of my wardrobe (LoL), making my foray into an "edgier" way of dressing via Zara clothes and MAC makeup. It was an all-girls high school, so it was a supportive environment where mutual inspiration abounded.

20200908

Amber Valletta for Strenesse Fall/Winter 1996.

Amber Valletta for Strenesse Fall/Winter 1996.⁠ Photographed by Juergen Teller.

20200523

Lecce, 1988.

Ferdinando Scianna, Fashion and Baroque. Lecce, Italy, 1988. | Allegory of Vanity
Ferdinando Scianna, Fashion and Baroque. Lecce, Italy, 1988. | Allegory of Vanity
Fashion and Baroque, photographed by Ferdinando Scianna. Lecce Cathedral, Church of Saint Mary of the Assumption. Lecce, 1988.

20200512

Sicily, 1987.

Marpessa Hennink at Solunto, photographed by Ferdinando Scianna for Dolce & Gabbana, Sicily, 1987. | fashion, places, Italy, Sicily, inspiration, vintage | Allegory of Vanity
Marpessa Hennink at Solunto, photographed by Ferdinando Scianna for Dolce & Gabbana. Sicily, 1987.

20200310

Bottega Veneta Resort 2020

Bottega Veneta Resort 2020 | Allegory of Vanity
Bottega Veneta Resort 2020 | Allegory of Vanity
Bottega Veneta Resort 2020 | Allegory of Vanity
Bottega Veneta Resort 2020 | Allegory of Vanity
Bottega Veneta Resort 2020 | Allegory of Vanity

This collection not only bears a strong resemblance to my own wardrobe, but it also contains elements I'd like to incorporate. I like it when I can relate to my inspiration.

20180307

Tawny + red lipstick.


*Images taken from my Tumblr.

The extremely photogenic Devon Aoki in:
→ "Two Tone" by Tom Munro for Vogue UK, April 2001
→ Hugo Boss SS17 Campaign by Harley Weir